However it is worth noting that the commonly accepted definition is of a higher sampling frequency and bit depth than CD, which is 16-bit/44.1kHz. A destination which is, quite frankly, not within any sort of universal criteria. What we’re trying to say is, when it comes to hi-res, it’s not so much about the journey, it’s about the destination. Which basically means there isn’t a single ‘process’ that achieves high-resolution, nor is it a specific format. “High-Resolution Audio refers to a collection of digital processes and formats that allow the encoding and playback of music using higher sampling rates than the standards used in CDs.” ~ Sony But as with so many relatively ‘new’ concepts in this industry, the definition isn’t particularly clear, nor is it stationary. On the surface, high resolution is a fairly simple concept. First, let’s get down to the nitty gritty. High resolution means that digital music can truly hold its own against its analogue forefathers, but more on that later. Especially if you have yet to surcome to the digital revolution.

Well, quite frankly, if you’re into your audio (and I think it’s fair to assume you are since you’re reading a hi-fi blog) then high resolution is something you should definitely care about. It’s a term that’s banded around a lot, even more frequently of late thanks to more and more technology adopting its practice (2015 is the year it hit the mainstream it would seem!) But have you ever wondered… what exactly is high-resolution audio? And, more importantly, why should you care?

Hi res music samples